Nairobi’s Chief Officer for Environment, Geoffrey Mosiria, has found himself at the centre of a storm after being accused of using vulnerable street children to create emotionally charged content for his social media platforms. The allegations have triggered heated debate online, with many calling out what they see as performative activism and exploitation.
Highlights:
- Mosiria allegedly staged scenes with street children for social media videos.
- Critics say the content exploits vulnerable families for personal clout.
- Mosiria defends the posts as part of public awareness and law enforcement.
- Public calls for ethical standards in portraying disadvantaged groups.
A recent video posted by Mosiria showed a young mother with her children allegedly refusing help from the county government. The clip, presented as evidence of street families faking vulnerability to gain public sympathy, drew immediate backlash.
Viewers questioned the ethics of filming such encounters, accusing the officer of turning real-life struggles into viral moments. Many Kenyans expressed discomfort with the portrayal of children, labelling it as manipulative and degrading.
Amid the growing criticism, Mosiria responded by stating his content was intended to inform the public and expose urban challenges—not to chase online fame. He claimed that transparency in his role required documenting enforcement efforts and that the youth, especially Gen Z, demanded visible action from public servants.
Despite his defence, scepticism remains high, with many questioning the sincerity of using sensitive moments as teaching tools without proper consent or safeguards.
The controversy has ignited a broader conversation on the responsibility of public officials when engaging with disadvantaged groups. Critics argue that real impact requires policy change and structured support—not social media moments.
Activists are now urging the county to adopt strict content guidelines to protect the dignity of children and vulnerable populations from being misused for PR stunts.
When children’s pain becomes content, it’s no longer just storytelling—it’s a question of integrity.
